Brainstorming interesting topics is just one half of the equation; finding mass-appeal angles is the most creative part of successful storytelling.

How to find and present compelling radio content was one of the topics during the German Lokalrundfunktage 2016. The program directors of two renown local stations shared how they are looking at engaging audiences with great content from a radio programming (rather than pure journalistic) perspective. “We always try to take it to the largest common denominator.”



“We could ask a doctor what to do against hay fever”



Check upfront for which part of your audience a topic (approach) is relevant (image: Google, Thomas Giger)

Check upfront for which part of your audience a topic (approach) is relevant (image: Google, Thomas Giger)



Be critical about content

Daniel Lutz is morning host and program director of HITRADIO RT1 in Augsburg, one of the most popular local stations in Bavaria, Germany. He presented his “pie thesis” as a recipe for compelling content. What makes radio different from print & online is that it’s linear, so audiences cannot skip items, as opposed to a newspaper or website. “Every listener has to get through every bit, and has the ability to jump off when it’s not interesting.” He likes to think carefully about what to put on air. What we already do with music scheduling — playing songs that appeal to a large audience, based on research — we should also do for radio content. Instead of asking “who will be interested in this bit?”, he often inverts the question. “Which percentage of the people who are tuned in right now, is not interested?”



daniel-lutz-hitradio-rt1-lokalrundfunktage-2016-02Choose engaging content angles

In his experience, interest does not even depend so much on the chosen topic. It depends more on the chosen angle, and how a bit is being introduced. The percentage of people who are interested should be greater than those who are not, meaning: in your choice and approach of topics — and in everything you do on air, for that matter — you want to include listeners, rather than exclude them. Appeal to as many as possible.



Focus on original perspectives

Lutz had a team meeting where someone said: “Many people I know, are sneezing again these days. Let’s do something on hay fever.” Then he replied: “okay… what?”. He calls that “the killer question”, as the real creative challenge is to come up with original ideas for implementing a topic. Someone suggested: “We could ask a doctor what to do against hay fever”. An expert sharing ‘how to’ tips is an often-used angle. So they went on Google, and looked up how many people in Germany have this allergy, which is about 15% of the population. (In the US, it’s half.) The challenge of this approach is that 85% of the HITRADIO RT1 listeners would not care about (this way of covering) the topic, as they do not have a hay fever allergy!



“There are more consumers expecting a package than there are people working at Amazon”



Cover topics from the perspective of the largest possible part of your audience (photo: Thomas Giger)

Cover topics from the perspective of the largest possible part of your audience (photo: Thomas Giger)



Appeal to large(r) audiences

They still thought it was a good topic, and started looking for a way to make it interesting for more listeners. “We always try to take it to the largest common denominator. All people are sneezing differently, so we pulled several different ‘sneeze types’ out of a hat, such as the Outburst Sneezer, Hamster Sneezer, and Shameless Sneezer, and went out to record several different sneeze sounds. It led to a funny bit, which hopefully entertained a larger part of the audience.” To simply cover the topic by interviewing an expert, would not only have ruled out 85% of the audience, it would not be really interesting for the 15% who do have hay fever either. They probably have the allergy for quite some time, and know how to handle it.



broad-scope-arrow-left-arrow-right-01Keep mass-appeal topics broad

Daniel Lutz would switch (for many people relevant) news, such as ‘more cases of breaking and entering’, in a practical direction, like ‘this is how you can keep your home safe’. It makes sense to keep a topic that everyone cares about also interesting for everyone, because a too segmented approach, such as ‘this is how victims of burglaries suffer from breaking and entering’, would only speak to people who have had this experience.



Involve all listeners always

“The European Football Championships? Talk about how fans are celebrating, rather than sports facts. Those with a keen interest in sports know more than you can ever cover on air. When there’s a strike at a local distributor of Amazon, rather tell people if their package will arrive in time. There are more consumers expecting a package than there are people working at Amazon. Otherwise we would run the risk of making radio for specialists; today for hay fever sufferers, tomorrow for robbery victims; constantly talking to small fractions.” He advises to stay away from “The Big Addition Deceit”; the idea that when we have spoken to all of these segments one time, we have reached everyone. “The opposite is true, because with every single specialised bit, you’re neglecting a huge amount of not-interested people, who may tune out.”



“When you have good stories, you can get very far”



Munich’s biggest dog was one of the many surprises in a market-wide record hunt (photo: Thomas Giger)

The record hunt of Gong 96.3 got the station a lot of local & national press coverage (photo: Thomas Giger)



Find unique local stories

Before becoming program director of Gong 96.3 in Munich, Johannes Ott worked at Bavaria’s (and Germany’s) most listened-to radio station ANTENNE BAYERN as a program designer and head of on-air promotion. He talked about what makes radio content good, and agrees with Lutz that it’s not just about what you want to do, but also (and maybe even more) about what you want to do with it; finding a story angle that will interest a large part of your audience. “When you have good stories, you can get very far as a station.” In a search for good stories, and in light of Munich already having the world’s largest Volksfest and Germany’s leading football team, they got the idea to highlight less-known local achievements, well-branded as Die Gong 96.3 München-Rekorde (The Gong 96.3 Munich Records).



johannes-ott-gong-96-3-lokalrundfunktage-2016-02Make use of crowdsourcing

They did not do the obvious; just presenting some nice stories, but actively involve listeners in and reward them for finding stories instead. Whoever brought in the ‘record of the week’ story, got a € 10.000 (then about $ 11.200) cash reward. It was a successful radio promotion because of its local character, its extended purpose – it was not only engaging and entertaining listeners, but also giving them monetary value.



Measure content along criteria

Ott thinks that, although you can research a lot, you find the best stories when you activate your community. He shows a picture of Snow, with a shoulder height of almost 1 meter the biggest dog in Munich. The city’s tallest person is 24-year-old Jannis: 2 meter and 22 centimetres! Another extraordinary case is the biggest age difference in a relation; Lia (33) is living together with her husband Heinrich (84). Jaw-dropping stories are also clickable & sharable via social media that are great distribution tools in addition to the station website. Gong 96.3 tries to feature surprising, current, regional, unique, emotional and valuable stories. “These 6 points should — as much as possible — be included in every piece of content.”